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Published: 1 marca 2012 Views: 2722 Art, Exhibitions

The Fourth State of Water: From Micro to Macro

Opening of the exhibition: 2nd of March 2012 at 7PM

Curated by: Victoria Vesna

22nd of March, the World Water Day

Symposium connected with the exhibition will be held on 22nd of March – World Water Day – at the California NanoSystems Institute, UCLA, Los Angeles

www.waterbodies.org – online meta site realized in collaboration with author Linda Weintraub and web-designer Claudia Jacques – premiers a virtual exhibition of artists and scientists around the planet working with water and features essay Why Water is Weird by Philip Ball, renowned science writer and author of book H2O: A Biography of Water.

Artists & scientists:

Karla Brunet (Brazil), Richard Clar & Dinis Afonso Ribeiro (USA / Portugal), Suzon Fuks (Australia), Shiho Fukuhara & Georg Tremmel (Japan / Austria), Dew Harrison (GB), Tomoko Hayashi (Japan), Takashi Ikegami (Japan), Hideo Iwasaki (Japan), Hu Jie Ming (China), Gil Kuno (Japan/USA), Linda Lai (China), Nobuho Nagasawa (Japan/USA), Mizuko Oka & Yasuhiro Hashimoto (Japan), João Vasco Paiva (Portugal/China), Ellen Pau (China), Silvia Rigon (Italy/USA), Mana Salehi (Iran/Spain), Claudia Schmacke (Germany), Alicia Vela (Spain), Pinar Yoldas (Turkey/USA), Jiang Zhi (China)

Victoria Vesna is known as one of the most cutting-edge media artists, committed to experimental and innovative practices which seek for the enlargement of the boundaries of art through the dialogue with science and advanced technologies. In addition to her long-term collaboration with nanoscientist James Gimzewski who she co-directs the UCLA Art |Sci center, Victoria is currently working on projects with an evolutionary biologist, neuroscientists and sound artists.

 

 

Victoria Vesna’s artistic work as well as her theoretical background were motivations to invite her to curate a project that will bring to CoCA Torun some of the most advanced and experimental artistic practices, but not only. The project curated by Victoria Vesna is conceived to be first and foremost an exciting collaborative experience, based on the exchange and dialogue through the creation of a social network and meta-interface that will involve artists, scientists, curators and theoreticians, journalists and other interested intellectuals. This project is developed around the theme of water, understood not only through the multiplicity of its symbolical and metaphorical meanings but also as one of the life and energy sources which today demands a serious political and social discussion.

According to Victoria’s concept, “this project considers the idea of the 4th state of water as a shift in perspective and a new way of thinking with this molecule being the ultimate reflection of our emerging global consciousness. Just as the discovery of the buckminsterfullerene changed our perception of matter and life while ushering in the age of nanotechnology, the idea of a 4th state of water, changes our way of thinking of life and could have major implications in the sciences from nanotechnology to neuroscience to the extraterrestrial search for life. Similarly, plasma is sometimes called the “4th state of matter” going beyond what we are used to on earth – solid, liquid, gas… During the last century many scientists have tried to bring to the forefront the existence of a dynamic plasmatic energy existing within living organisms and water with not much success. With the current scientific advances, some of these ideas by experimenters who showed water as a carrier of an energetic force of a cosmic-biological phenomenon are resurfacing. The exhibition is based on taking these far-out ideas of water as a way to enter into a productive dialogue between artists and scientists.”

Involved artists will be or strongly connected or coming from areas of big river deltas and water ports all over the globe, as well as places which has been changed or destroyed by the water. Not by chance that Japan is strongly presented through the participation of artists as well as scientists who engage themselves in the artistic practice too. Also other areas hit by violent tsunamis or by droughts were source of inspiration to some of the artists involved in this project which in its totality seeks to raise awareness and sensitize larger public opinion on issues that regards all of us: from theories about beginning of life to those about extraterrestrial life forms, from concrete ecological and environmental issues, like social aspects related to the lack of water in the world, to considerations of water as one of the most universal symbols as well as metaphors for our contemporary “liquid” society, as well as for the permanent flux and flow of data in the vast “ocean” of internet.

In the occasion of the exhibition will be launched web platform which will include contributions of Linda Weintraub (USA), Esther Moñivas (Spain), Karla Brunet (Brazil), Phillip Ball (GB) as well as artists and activists working around the theme of water in the multitude of it’s potential meanings and applications. An extensive meta-interface website is designed by Claudia Jacques.

 

  • photo of Hideo Iwasaki's work
    Hideo Iwasaki, Cyanobacterial Bonsai Project, 2008, artificially grown cyanobacterial species
  • photo of Hu Jie Ming's work
    Hu Jie Ming, Series: Altitude Zero, 2003, installation
  • photo of Suzon Fuks' work
    Suzon Fuks, Watervoice, 2011, video poem
  • exhibition view
    The Fourth State of Water: From Micro to Macro, CoCA, 2012, photo: Wojtek Olech
  • photo of Nobuho Nagasawa's work
    Nobuho Nagasawa, Holding the Moon, 2012, video installation
  • photo of Pinar Yoldas' work
    Pinar Yoldas, Lullaby, 2008, digital drawing on rag paper
  • photo of Gil Kuno's work
    Gil Kuno, Haze, 2011, photo: W. Olech
  • photo of Gil Kuno's work
    Gil Kuno, Haze, 2011, photo: W. Olech
  • photo of Hideo Iwasaki's work
    Hideo Iwasaki, Photoautotropia, 2008-2012, photo: W. Olech
  • exhibition view
    from left: Signs, 2010, Karla Brunet, Geographies of the Sea, 2009, Hu Jie Ming, Altitude Zero, 2003, photo: W. Olech
  • exhibition view
    The Fourth State of Water: From Micro to Macro, CoCA, 2012, photo: Wojtek Olech
  • photo of Karla Brunet's work
    Karla Brunet, Geographies of the Sea, 2009, video installation, photo: W. Olech
  • photo of Karla Brunet's work
    Karla Brunet, Geographies of the Sea, 2009, video installation
  • photo of Pinar Yoldas's work
    Pinar Yoldas, Bosphorus Duo, 2012, photo: W. Olech
  • photo of Nobuho Nagasawa's work
    Nobuho Nagasawa, Holding the Moon, 2012, video installation
  • photo of Nobuho Nagasawa's work
    Nobuho Nagasawa, Holding the Moon, 2012, video installation
  • photo of Mana Salehi's work
    Mana Salehi, Lake Orumiyeh, 2012, installation
  • photo of Hu Jie Ming's work
    Hu Jie Ming, Series: Altitude Zero, 2003, installation, photo: W. Olech
  • photo of Hideo Iwasaki's work
    Hideo Iwasaki, Photoautotropia, 2008-2012, photo: W. Olech
  • photo of Mana Salehi's work
    Mana Salehi, Lake Orumiyeh, 2012, installation
  • photo of Richard Clar & Dinis Afonso Ribeiro's work
    Richard Clar & Dinis Afonso Ribeiro, ALMA da AGUA: A Fluid Water and Space Initiative
  • photo of Pinar Yoldas' work
    Pinar Yoldas, Bosphorus Duo, 2012, video installation
  • photo of Hideo Iwasaki's work
    Hideo Iwasaki, Metamorphorest II, 2009, installation (papercut, cyanobacterial movie), Havana Biennial
  • photo of Nobuho Nagasawa's work
    Nobuho Nagasawa, Water Weaving Light Cycle, 2005, Installation, Seattle City Hall
  • photo of Tomoko Hayashi's work
    Tomoko Hayashi, Tear Mirror, 2011, installation
  • photo of Silvia Rigon's work
    Silvia Rigon, Panta Rei (Everything Flows), 2012, wall projection, 3D animation
  • photo of Suzon Fuks' work
    Suzon Fuks, Watervoice, 2011, video poem
  • photo of Karla Brunet's work
    Karla Brunet, Geographies of the Sea, 2009, video installation
  • photo of Claudia Schmacke's work
    Claudia Schmacke, Dark Energy, 2010, installation Flottmann-Hallen, Herne, Germany
  • photo of Mana Salehi's work
    Mana Salehi, Lake Orumiyeh, 2012, installation
  • photo of Hideo Iwasaki's work
    Hideo Iwasaki, Boundary Garden, 2011, installation
  • photo of Jiang Zhi's work
    Jiang Zhi, 0.7 % salt, 2009, video

Instytucja finansowana ze środków Miasta Toruń